Spring 2005
Click on a course title to see syllabus.
| Listening to Music | Monday and Thursday 1:35-2:50 PM |
| Creative
Process Sect. 1 Creative Process Sect. 2 |
(section 1 ) Tuesday
9:30-10:20
AM, Wednesday 11:45 AM - 12:35 PM (section 2 ) Friday 9:30-10:20 AM Wednesday 12:45 AM - 1:25 PM |
| Intermediate Ear Training | Wednesday 9:30-11:30 AM |
| Technology for Music Educators | Wednesday 4:20-6:20 PM |
| Audio Recording Techniques II | Friday 1:30-3:30 PM |
| MIDI Band | Thursday 6:30-7:30 PM |
| Duke Ellington Songs |
Creative Process Ear Training:
| Ear Training Set Eight: (1-3 major melodies with steps, skips, and perfect intervals;4-10 minor melodies with scale steps only). Review minor scale forms before doing these. Exercise 8.PDF |
| Ear Training Set Nine: (1-3 major melodies add sixths to above; 4-10 minor scale melodies with steps, thirds, and perfect intervals). 6th and 7th scale degrees are either raised or lowered. Exercise 9.pdf |
| Ear Training Set Ten: Major and minor melodies interspersed with all possible intervals. Exercise 10.pdf |
| Ear Training Set Eleven: Two part major scale melody and bass line. Harmonic intervals are consonant, and common practice voice-leading maintained. Bass line includes steps and thirds, with 2 exceptions. Exercise 11.pdf |
| Ear
Training Set Twelve Two part major scale melody and bass line.
Harmonic intervals are consonant (see exceptions), and common practice
voice leading maintained. Bass line includes steps, thirds, fourths and
fifths melodically. Exercise 12.pdf |
| Ear Training Set Thirteen Two part major and minor melody and bass line. Both major and minor exercises can contain chromatic alterations. See page for more details. Exercise 13.pdf |
| Ear Training Set Fourteen More two part major and minor melody and bass line exercises. Exercise 14.pdf |