Audio Recording Techniques MUA 2011 - SP 2005 
Starting with an introduction to the study of acoustics, this course will focus on the art of live and studio sound recording. Students learn techniques for recording, editing, mixing and mastering digital audio, including functions and theory of recording tools (microphones, mixers, signal processors, etc). No prerequisites. Enrollment limit of 10
Text: Modern Recording Techniques (MRT) 5th ed. by David Miles Huber. Published by Focal Press (ISBN 0-240-80456-2). Students are encouraged to purchase portable digital data storage devices with Firewire connectors..
Course Requirements: Attendance and Participation (20%), Midterm (15%), Final (20%) 
Three Projects (15% each)

 

Manhattanville College/ Department of Music/Fall 2004

Dr. Geoff Kidde    Email: kiddeg@mville.edu    Telephone: (914) 798-2708

Office Hours: Tuesday and Friday 10:30 AM – Noon

Thursday 1:00 PM to 4:00 PM

 

WEEK CLASS/ Assignments
1
Introductions
2 Signal flow, setting up for recordings
Working with digital audio
3 MRT Chapter 1: Introduction
Acoustics: some basics
4 MRT Chapter 2: Sound and Hearing
First project DUE: Speech recording
5 MRT Chapter 4: Microphones
Microphone Placement
6 MRT Chapter 6: Digital Audio
Editing, audiosuite
7 MIDTERM EXAM on Chap.s 1,2,4,6
Automation: volume, panning, effects
8 Loop record, punching in and out
Group edit, DAT
9 MRT Chapter 3: Studio Acoustics
Second Project DUE: Instrumental Group
10 MRT Chapter 5: Analog Tape
Mixing, EQ
11 MRT Chapter 10: Amplifiers
File formats
12 MRT Chapter 11: Production Console
Dynamics processing
13 Compression, Limiting
14 MRT Chapter 16: Studio Sessions
Gates, Switches
15 Third Project Due: Mix of Group Piece