Accomplished Women project: related conference papers
“A Harpist Arrives at Mansfield Park:
Music and the Moral Ambiguity of Mary Crawford”
(Annual General Meeting of the Jane
“The Artist, the Amateur, and the Accomplished Woman” (panel on Artists
and the Art World in Fiction at “Elective Affinities,” the triennial
conference of the International
Association of Word and Image Studies, Philadelphia): Sept. 2005
“‘That Kind of Facility which Springs from the Absence of Any High
Standard’: Gender and Amateurism in George Eliot” (“Women’s Texts
and Cultural Contexts,” the thirteenth annual Eighteenth- and
Nineteenth-Century British Women Writers Conference, Louisiana): April 2005
“‘In
Music She Had Been Always Used to Feel Alone in the World’: Anne
Elliot’s Music-Making in Social, Literary, and Personal Contexts”
(Annual General Meeting of the Jane
“George
Eliot and the Victorian Amateur” (“Britannia [Re]Sounding,” conference
of the North American British Music Studies Association, Oberlin): June 2004
“Charlotte
Brontë and the ‘Thrill of Artist-Delight’” (“The Brontës and Their
World,” Pace Univ.): April 2004
“Transgressing
‘The Profession of Ladies’: Accomplishments, Authorship, and the Case of
Jane Austen” (“Women’s Writing in Britain, 1660-1830,” Southampton,
UK): July 2003
“Accomplishments
and Authorship in 19th-Century England” (“Heroic Deviance: Literary
“Envisioning
the Accomplished Woman,” in a panel on Jane Austen and contemporary film
(“(Dis) Junctions,” the 9th Annual Graduate Student Conference, UC
Riverside):
“Profitable
and Purposeful Performances: Austen’s Accomplished Women” (Annual
Lectures and General-Audience
Talks
·
“‘Some
of Your Accomplishments Are Not Ordinary’: Gender, Artistry, and Authorship in
·
“Charlotte
Brontë and the Woman Artist” (an Art in Context talk at the Yale Center for
· “Representing Female Accomplishments in Art and Literature at the Time of Jane Austen” (an Art in Context talk at the Yale Center for British Art): Feb. 2002